A recurrent theme in Orhan Pamuk’s My Name is Red is the the relationship between time and art. Stork tells three stories to suggest the idea that books “last until the end of the world.” (69) It is interesting to consider that while miniaturists, artists and even their masters pass away – such as with Elegant Effendi and Enishte Effendi, books and manuscripts may be bound to be finished and live on. Whereas the miniaturists in the novel speak about the art they create as the only focus of their life and the proof of their devotion to Allah, it is possible the art doesn’t need the artist the way the artist needs the art. However, Enishte Effendi stated the opposite when he claimed that “In the end, our methods will die out, our colors will fade. No one will care about our book and our paintings […]. Not only our own art, but every single work made in this world over the years will vanish in fires, be destroyed by worms or be lost out of neglect” (171). While it is true historical events and time sometimes destroy art works, I cannot help but feel like humans create art in order to leave a mark that is going to transgress the boundaries of time in ways we can’t.
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I think you make a few interesting points here and that ultimately what you are talking about leads back to the Eastern vs. Western art dichotomy. What you say about art not needing its artist is very much in line with the Eastern belief that artists should not make art to bolster their own fame or wealth, but rather that art should serve to embellish a story without giving away who its artist is. Your own belief that people create art to leave their own mark on the world is very much a Western mentality. Western artists are valued for developing individual style and talent, they are meant to make their paintings original and unique and as such are able to leave a distinct mark. It seems like your discussion of art and time demonstrates how much the culture and age we live in influences our ideas about art, sometimes without our even realizing it.