Learning to Read Beyond Words

A letter doesn’t communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, “Go on then, read what the letter tells you!” whereas the dull-witted will say, “Go on then, read what he’s written!”

 – My Name is Red by Orhan Pamuk (p. 37)

For many of us, illiteracy is often associated with a lack of intelligence. From an early age we are preached about the importance of reading and writing, and how reading and writing are tools that help us grow and better understand the world. However, from the very first day of class this “truth” has been questioned. For example, when “reading” The Book of Hours we rely not on words, but on pictures to understand a story. As I flipped through the book’s images, I often found myself struggling to understand the story being told. I felt handicapped without words to help guide me. My inability to understand a story got me thinking about a different kind of illiteracy – I am “ilvisual” if you will. My difficulty with interpretation does not mean that I am unintelligent. Instead, my difficulty to interpret certain pictures in The Book of Hours speaks to my educational background. My education has emphasized words over image. The opposite appears to be true for the original readers of The Book of Hours. Image was valued over text. Though I may be more skilled at reading, the original readers were more skilled at visual translation.

I came across a passage while reading My Name is Red (written above) that I think speaks to the debate of what it means to be intelligent. According to My Name is Red, I am dull-witted. I must learn to look beyond words. Words are easy. What is written is all you get and what you get is accepted as fact. But with a picture, I need to look for details and symbols that reveal the story. Reading pictures requires more effort than reading a text, and with more effort I believe the story becomes more meaningful.

 

Can Ekphrasis Be Applied to Art and Music?

As I read Mitchell’s “Ekphrasis & the Other” I couldn’t help but mutter “duh.” Ekphrasis, which can be simply defined as a verbal representation of a visual, is a practice we students have been using since we learned how to write.

“Hw would you describe this flower?” a teacher may ask, to which we would responds, “It has red petals and a green stem.”

However, the more I read about ekphrasis and the more I began thinking about ekphrasis as a complication or a mixing of representations (image vs. language), I began to wonder what others mixings could be made to create a new perspective. Could I use dance to represent a body of text? What about painting to represent music?

Take for example “Burning Down the House” by Martin Klimas. In this piece of artwork, Klimas chose to visualize sound. More specifically, Klimas reinterpreted the music of Jimi Hendrix into a visual piece. This visual representation of music, called visual music art, is similar to ekphrasis, and how writers turn image into text.

Burning Down the House by Martin Klimas

The result of Klimas’s interpretation (in my opinion) is both striking and beautiful. It gives the viewer a whole new perspective on “Burning Down the House.”

Exploring visual music art helped me better appreciate ekphrasis. Ekphrasis is not just a retelling or a description of an image, it is a reimagination.

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