Femininity in Cora and Alice

Loading Likes... I find Alice and Cora’s identities and relationship fascinating in this book. Cooper seems to be both satisfying the sexist romance stereotypes of the time while also breaking them with these characters. In chapter 25, after Hawkeye tells Heyward where to find Alice, the romantic vignette Cooper writes of their interaction plays into conventional feminine stereotypes to almost a comical degree. Alice is described as “sought, pale, anxious, and terrified,” but of course, always “lovely,” while Heyward comes to her rescue and dotes on her trembling, weak existence. This convention of relationships having a strong, brave man and a weak and beautiful woman who relies on him entirely is disappointing, if not incredibly predictable. However, Cooper doesn’t just leave it there, because we have her sister, Cora, and her romantic escapades as a starkly contrasting situation. Cora is the opposite of being girlish and weak, and in fact she comes across as one of the most dependable and strong people in the novel. Her character seems to exist to defy the conventions that Cooper so blatantly conforms to in other places. This all is fascinating in reference to the ending, where Cora and Uncas die (somewhat heroically) together, seemingly immortalizing their unique relationship and leaving a lot to think about in terms of the race and gender themes in the book.

2 thoughts on “Femininity in Cora and Alice”

  1. I really like the observation you make here. Your post made me think of the audience that Cooper is writing to, who would have been very familiar with the romantic hero that Heyward embodies. In this context, Alice is the familiar “damsel in distress” who is — as you say — terrified and anxious but always maintains her beauty. I believe that  gothic novels and romanic novels were popular at this time, and Heyward and Alice’s relationship seems to have been created for this audience’s reading pleasure. Furthermore, that Heyward and Alice’s relationship should survive, whereas Cora dies, I think can be both a “warning” to mixed race relationships but also the strong, independent woman (as you conclude with on your post). In general, however, there are many genres that Last of the Mohicans can fit into, which I think is to serve a wide range of audiences/preferences and messages.

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