Curating American Art 1900-1950
Art History 310 at Hamilton College, Fall 2019
About
Virtual Exhibitions
The Abstraction of Soil and City
The Black and White of New York City
A Fine Disregard
From Foundation to Actualization: Sketches and their Counterparts
Movement to Abstract Expressionism
Seasons of Burchfield
Portrayal of the Female Figure by American Female and Male Artists from 1900-1950
The Course
Satchel McLaughlin ‘22: Maurice Prendergast’s
The Fountain, Boston
, c1900
