Author: Chris Zhou

the bean eaters

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“The Bean Eaters”, published by Gwendolyn Brooks, is a poem about an elderly couple who are doing nothing but reminisce in their squalid house. One of the themes I think what the poem illustrates is sheer hopelessness, which reminded me of the “As I Walked Out One Evening” poem. The old couple may love each other and share good and bad memories, but in time, they (and their memories) will be lost to it, alongside everything in their home. Their home is in a sorry state itself, being a “rented back room that is full of beads and receipts and dolls and cloths, tobacco crumbs, vases and fringes” (11-12). The memories they have of their home is one of complete neglect and insignificance. Really? After all these years and those are the times you can come up with in your head? It’s kind of heartbreaking to see two people so poor be unable to do anything in their condition at all. The second stanza now comes across as more haunting than before considering they don’t seem to have much emotion as to their current and future states. Most of their waking hours appear to acknowledge that they “have lived their day, / But keep on putting on their clothes / And putting things away” (6-8). Thinking about old age is quite depressing, since by this point a person is hardly capable of doing things a young or middle-aged person would do, and it just serves as a reminder that the end of their lives are near. I think it was an interesting poem to read, it’s just hard to read again because it’s glum and there’s no positive outlook for the main characters (or the things around them).

Yet I Do Marvel

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I had to do some Googling to understand two of the characters – Sisyphus was a terrible Greek figure that was punished by eternally pushing a boulder up a hill for cheating death twice. Why? Violating guest right by slaughtering guests to prove himself as a king. Tantalus was also a horrible person by the infamous punishment of the fruit and water receding when he is just about to consume them. Why? Stealing ambrosia and nectar to demonstrate the secrets of immortality…before later cutting his son into pieces to as a gift to the gods. The meter was relatively easy to understand, being an iambic pentameter and having a rhyme scheme initially being an octave for the first eight lines before shifting to a sestet for the last six. The form is also a sonnet, given that it is only 14 lines long. The poem was also published in 1925 during the Harlem Renaissance, and he has published several other poems wondering about what on Earth God’s plan is about, and its intentions (1929: The Black Christ, and Other Poems).

Countee Cullen’s poem of “Yet I Do Marvel” was an interesting debate over what God’s plan is. There are all bad people like Sisyphus and Tantalus existing on Earth, clearly not being good human beings…and as the final couplet reveals, he juxtaposes these figures over his identity as a black poet. Why are there people like those two awful Greek figures, and why are there perfectly normal, dutiful people like Cullen who exist on Earth? He brings up several points as to why God does things humans will still be looking for an answer to. How does God judge people? His own interpretation has God being a good figure. The octave has God giving fates worse than death to sinners – they definitely deserved the fates God gave them. Yet there’s no example of God rewarding someone for their virtuousness, and Cullen himself wonders what God thinks about people (“With petty cares to slightly understand / What awful brain compels His awful hand”). I personally think what Cullen is trying to showcase in that couplet is that God is secretly testing people like Cullen and us to see what we do with our lives, and taking a human’s most significant acts and evaluating them in some kind. In this case, God is secretly testing Cohen’s identity as not only a black person, but also a poet (“and bid him sing!”). The octave serves to warn people not to let sins like selfishness cloud humans’s judgements, lest they end up like Sisyphus and Tantalus. The sestet, on the other hand, reminds people that we have the power to make our own choices – to exhibit virtues or vices.

The Emperor of Ice Cream

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Who would’ve thought? Wallace Stevens really was a sweet tooth in real life, and he may have given himself that title of the poem. The two stanzas were…bizarre, to say the least. From what I’ve read, I think it goes from calling a muscular scooper who smokes cigars to make ice cream, transitioning to a funeral for a dead woman. I had a bunch of questions that came into my head when reading this. Why was ice cream being juxtaposed with literal death? Who was the “only emperor of ice cream”? And is the author saying ice cream is a more fitting eulogy over flowers and paid respects?

Up until the last two lines, I was curious as to why it was written to have children get ice cream They’re (not the scooper) experiencing the joys of tasting a sweet treat. Then there’s other objects like “flowers in last month’s newspapers (6)” being brought in for something. How are they related to each other? I thought first stanza made no sense until the second stanza – I think all of them are being brought as eulogies to a deceased woman in a casket. The reason why ice cream is given more focus is that flowers and newspapers don’t provide the same kind of emotion – they’re nice to look at, but ice cream is not only nice to look at, but also tastes good. This also applied in the mid 1900s, where ice cream was used as comfort food during the Great Depression and immigrants also had ice cream as a meal. The quality of food was a way to compare people’s lifestyles. 

The biggest thing I observed was the repetition of the last lines (and to an extent, the second-to-last) of both stanzas: “The only emperor is the emperor of ice-cream (8, 16)”. I think a lot of the meaning is highlighted in the second stanza, where there’s justification as to why ice cream is being used as a juxtaposition between life and death. Ice cream is meant as a subtle metaphor for sweetness: it’s a positive moment in life. In this sense, the “emperor” of ice cream is death. All good things must come to an end. All the innocence, all the beauty, all the joys of our life will melt away. And the corpse is an example of a life that is spent.  The “emperor” of ice cream is essentially watching people live and die. This is why the children brought ice cream to her: it was a way to remember all the good times in life. There will be people to share these moments, and there will be scoopers that will make these moments possible. 

With this mind, I say that this poem was quite a treat to read.

 

 

Tintern Abbey by Williams Wordsworth

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What lacks in devious rhyme schemes makes up with William Wordsworth’s zeal for nature. He details entire paragraphs on some examples of imagery, taking in things like trees and water and giving them personification. I admire the way he takes in the environment and makes it more surreal yet beautiful at the same time. It’s the same beautiful to hear a river crashing against the rocks with force and the gleam of sunlight bouncing across the trees. For example, he describes the river “…With a soft land inland murmur (3-4)” and “The sounding cataract / Haunted me like a passion; the tall rock,/ The mountain, and the deep and gloomy wood (75-77)”. The first line has the river don a relaxed persona, while the waterfall in the second quote sounds almost intimidating, describing as tall yet dull to contrast. What I like so much about this poem is that unlike most authors, who paint themselves as struggling and emotional in humanity, Wordsworth expresses his love for nature in his poetry. It shows how in the chaos of humanity, we can find inner peace and prosperity resting under the trees. Even numerous studies showcase how nature can benefit mental health through experiencing many of the positive emotions he expresses in the story (relaxation, joy, exhilaration, determination, contemplativeness).

I am a believer the Wordworth’s vivid descriptions has you not just read in his works, but to also live in. It’s not enough to say a river is breathtaking. A breathtaking river comes from its endlessness, the roar of the current, how spread out the rocks are. To me, that’s what makes a nature poem naturally poetic.

A Description of a City Shower

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Initially, when reading A Description of a City Shower, I thought the poem was basically a double entendre based on the second half of the poem. Lines like “While the first drizzling shower is borne aslope / Such is that sprinkling which some carless quean / Flirts on you from her mop, but not so clean (Swift 18-20)” and “And wafted with its foe by violent gust, / Twas doubtful which was rain and which was dust (Swift 25-26)”. I believed this poem was going to just be another conceit on a person’s beauty before comparing it with a storm…

…then I realized I’ve only read the poem once and then I immediately drew conclusions from that. In all seriousness, while his humor is still stirring, his message is a lot less dramatic – it’s the poor weather in a poor town. Each of the caesura lines makes it even easier to understand what’s going on in a second read (“But, aided by the wind, fought still for life…”(Swift 24)). Swift wants to bring up how storms rain on everybody’s parade in this dingy town. Everybody is scurrying to get inside, but the winds and rain make the environment so grimy and dusty it’s a challenge to not complain about it. I think the author is basing his poem based on how the sanitation standards of his time were incredibly low, and is that the people are merely referencing and not directly stating what’s going is what makes it so funny.

To His Coy Mistress

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When initially reading this poem, I thought it had a mournful tone to it. The speaker appeared to lament on how time was fleeting and makes the message to treasure every moment. The narration then elaborates that to treasure love, one would need make out…a lot in order to do so. The juxtaposition in lines 33-36 ( “while the youthful hue / Sits on thy skin like morning dew, / And while thy willing soul transpires / At every pore with instant fires”) stands out to me by displaying youth as an example to experience drastic decisions in life. The pores with fires is another way of basically saying making love. He feels that if people don’t express themselves, they’ll die hiding their true emotions from each other, he may have experienced or seen this happen, and wants to warn readers about the finality of death. 

At the same time, though, how he uses imagery to vividly describe love is interesting. He unapologetically describes the process of having sex as a way of making a mark in the world. It feels very similar to the way Shakespeare wrote his “Make babies!” poem, but some of the differences I feel comes to tone: Shakespeare may have filled his poem humor in describing this, but Marvell’s way of expressing it here is blunt and more urgent. It makes me wonder whether the speaker in Coy Mistress comes across as more lustful or more desperate in his message.

A Sitting Ovation to Stand Whoso List (from Sir Thomas Wyatt)!

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This is my first blog post, feel free to give me feedback on what I can improve on!

Of the poems this week, my favorite was “Stand Whoso List” by Sir Thomas Wyatt. The overarching theme of the poem is living a peaceful life to earn a peaceful death. He paints busyness as an enemy to this ideal, as the more occupied a person is with things in mind, the further away he is from achieving this goal. He desires to die as himself, happy and his own goals achieved. He believes that thinking as another person and wishing to be them causes one to be completely unhealthy and unhappy, driving them into a miserable life:  “For him death gripeth / right hard by the crope / That is much known of other; and of himself alas, / Ooth die unknown, dazed with dreadful face (6-10, Wyatt)”. The “Ooth die unknown” line felt like a simple yet chilling message – it’s understandable to admire a person, but you need to come to terms with your own character to find happiness – even if they’re flawed.  

 

When I was reading it, I thought the poem emphasized more on a trochee meter, given how many times the poem would go from stressed to unstressed (brackish, stand, whoso); I think it provides a nice theme of a pendulum between harmony and chaos. The oxymorons between phrases like “brackish joys” and “dazed with dreadful face” help darken the mood of the story and make the narrator’s words more urgent and dramatic.