Question of consent in “The Eve of Saint Agnes”

The Eve of St Agnes', Arthur Hughes, 1856 | Tate

The Eve of Saint Agnes, Arthur Hughes (1856) 

Last class, the question of whether or not Madeline was raped by Porphyro arose. I too had found their interaction to be a bit ambiguous, given Porphyro’s creepiness and St. Agnes’ being the patron saint of rape victims. Upon giving the poem a second reading, I believe that the two did have sex and that it was consensual, despite Madeline’s implying that Porphyro was uglier then she imagined. Madeline urges Porphyro to give her back his songs and “immortal looks” (L 313) The following interaction between the pair is then likened to that of flowers: a violet and a rose, producing a “solution sweet” ( L 322). Lastly, at the end of the stanza 36 it states that “St. Agnes’ moon hath set” (L 324). I believe that this means that Madeline’s chastity and virginity is no longer protected or accepted by St. Agnes, whom Madeline had prayed to.

“Ah, Porphyro!” said she, “but even now
 Thy voice was at sweet tremble in mine ear,
 Made tuneable with every sweetest vow;
 And those sad eyes were spiritual and clear:
 How chang’d thou art! how pallid, chill, and drear!
Give me that voice again, my Porphyro,
Those looks immortal, those complainings dear!
Oh leave me not in this eternal woe,
For if thy diest, my Love, I know not where to go.”
 
 Beyond a mortal man impassion’d far
 At these voluptuous accents, he arose
Ethereal, flush’d, and like a throbbing star
 Seen mid the sapphire heaven’s deep repose;
 Into her dream he melted, as the rose
Blendeth its odour with the violet,—
Solution sweet: meantime the frost-wind blows
Like Love’s alarum pattering the sharp sleet
Against the window-panes; St. Agnes’ moon hath set.

 

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