In class up to this point, a good portion of our time has been spent discussing the concept of metapictures (images that in some way acknowledge their essence as pictures, and comment upon themselves). In Orhan Pamuk’s novel, My Name Is Red, we encounter for the first time what I believe to be a related concept, metafiction. While there have been several examples of metafiction present in the portion of the novel that I have completed, the most powerful and clear cut example came in the third chapter, which is titled I Am A Dog. In this chapter the dog, who is the narrator, says, “I’m a dog, and because you humans are less rational beasts than I, you’re telling yourselves, ‘Dogs don’t talk.’ Nevertheless, you seem to believe in a story in which corpses speak and characters use words they couldn’t possibly know” (Pamuk, 11). It is clear to see here, especially in the final sentence of the excerpt, that the dog is in fact addressing the reader, and in doing so the dog makes clear that they know they’re a character within a novel. The dog comments upon it’s reality within the pages of the book by addressing the reader. Throughout his novel, Pamuk has self-consciously alluded to the artificiality of his work by departing from traditional novelistic\u00a0conventions and employing the use of metafiction. I’m interested to see if Pamuk uses this technique at other points later in the novel.<\/p>\n","protected":false},"excerpt":{"rendered":"
In class up to this point, a good portion of our time has been spent discussing the concept of metapictures (images that in some way acknowledge their essence as pictures, and comment upon themselves). In Orhan Pamuk’s novel, My Name Is Red, we encounter for the first time what I believe to be a related … <\/p>\n