{"id":126,"date":"2017-01-26T22:48:37","date_gmt":"2017-01-27T03:48:37","guid":{"rendered":"http:\/\/hamiltoncs.org\/lit220\/?p=126"},"modified":"2017-01-26T22:48:37","modified_gmt":"2017-01-27T03:48:37","slug":"ekphrastic-poetry","status":"publish","type":"post","link":"https:\/\/hamiltoncs.org\/lit220\/uncategorized\/ekphrastic-poetry\/","title":{"rendered":"Ekphrastic Poetry"},"content":{"rendered":"<p>The beauty found within works of art can often be hard to describe, as it seems at times there is a lack of accurate language available to accurately encapsulate the feelings the art evokes inside of us. It is made difficult also by the fact that one work of art can quite possibly mean one-hundred different things to one-hundred different people. The subjectiveness involved in analyzing and assigning meaning to art has always fascinated me, and is the main reason why I am so found of ekphrastic poetry. While ekphrastic poems are merely poems written about works of art, often times they dig to find deeper meaning relating to the pieces of art that they are commenting on. Such a mode of expression serves as a medium through which writers can relate their emotional and critical responses to a particular work of art. In addition, such poetry can often add to works of art by making known any political and\/or societal issues being addressed by the artist of the original work. This intersection of visual and literary art acts trifold as a commentary on the work of art itself, any social or political implications raised by the work and the writers reaction to the piece. Ekphrastic poems serve as examples to show the impact that the arts can have on society, and it is why I believe they should be highly valued.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The beauty found within works of art can often be hard to describe, as it seems at times there is a lack of accurate language available to accurately encapsulate the feelings the art evokes inside of us. It is made difficult also by the fact that one work of art can quite possibly mean one-hundred &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/hamiltoncs.org\/lit220\/uncategorized\/ekphrastic-poetry\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ekphrastic Poetry&#8221;<\/span><\/a><\/p>\n","protected":false},"author":27,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-126","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/posts\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":1,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/posts\/126\/revisions"}],"predecessor-version":[{"id":127,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/posts\/126\/revisions\/127"}],"wp:attachment":[{"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/media?parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/categories?post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hamiltoncs.org\/lit220\/wp-json\/wp\/v2\/tags?post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}