A collage-novel is an interesting way to describe the genre of Ernst’s Une Semaine de Bonté. We discussed this notion in class to some extent on Wednesday. I got the impression that this way of classifying the genre of Une Semaine de Bonté was somewhat controversial, and I certainly understand why. On the one hand, the classification is descriptive and gives the reader a realistic idea of what to expect when he or she opens the book. The book is a series of collages which do indeed create a narrative, much like a novel. I see the merit in calling Une Semaine de Bonté a collage-novel, but I also see the opposing argument that we mentioned in class. We mentioned that many believe that calling Une Semaine de Bonté a collage-novel is somewhat redundant. In a way, I feel as though any novel could be a collage. In class, we defined a collage as “a form of visual art that assembles different forms resulting in a new whole.” A novel may not be as “artistic” as the archetypal collage, but it certainly juxtaposes different forms (pages) in a deliberate way in order to create a new whole (the book and narrative).
Under the assumption that any novel is a collage we can certainly call Une Semaine de Bonté a collage-novel, but couldn’t we call any novel a collage? In this way, I see the argument against this classification from those who deem it redundant. If a novel is a collage and Une Semaine de Bonté is a novel composed of collages, then we could consider Une Semaine de Bonté to be a collage of collages – “collage-ception” if you will. However, I’m still not sure what to think. As I write this post I continue to question the arguments for and against this classification. I do not believe that genre is some inherent quality of Une Semaine de Bonté, however, and for this reason, I believe that we should classify Ernst’s work however we would like. If calling it a collage-novel works, then we should stick with it. I see the value in starting a discourse about the possible redundancy of the classification, but does it really matter if it’s what makes sense. The genre collage-novel gets at the two major components of Ernst’s work – a collection of collages, and a carefully constructed novel-esque narrative.