Author: sostrow

The Comic Form

As someone who’s always loved to read novels, but rarely if ever picked up a comic until now, I’ve been asking myself about the form of comics and graphic narratives all semester. I do think there’s something they can do that novels can’t, but I can best explain it through a literary lens. When I..

Read more

A Multiplicity of Perspectives

  I loved reading Watchmen in part because of its complexity. Witnessing the way every detail layered onto or complicated the previous one made for an enthralling read. And one way that Moore and Gibbons accomplished this level of complexity, I think, is by showing the reader more perspectives than we’re quite equipped to handle. The..

Read more

Batman Breaks the Fourth Wall

This was my favorite panel from the first issue of Batman. It caught me a bit off guard when I first saw it, because it is so clearly a commentary on breaking out of the panel, or breaking the fourth wall. In the context of the story, Batman is saving a businessman from certain death..

Read more

Tatsumi’s Visual Echoes

Frequently throughout Goodbye, Tatsumi will introduce a certain panel early on in a story only to bring back a near-identical panel later on. One of the clearest examples of this is, I believe, in “Life is So Sad.” The first panel in the first row of page 158 shows the main character, Akemi, walking past the..

Read more

An A+ Palette

I adore the palette of this first volume of Adèle Blanc-Sec. It’s a totally instinctual response, but I thought I would try to lay it out a bit more critically to try and see what it is about color that attracts me to Tardi’s work here. Above are two of my favorite panels from the..

Read more